Related Paintings of unknow artist :. | Pelagia Witoslawska portrait | Sunset in Briere II | Badende Frauen in einer Grotte an der Mittelmeerkuste. | Arab or Arabic people and life. Orientalism oil paintings 214 | European city landscape, street landsacpe, construction, frontstore, building and architecture.021 |
Related Artists:
Castello Nativity, Master of the
Italian Early Renaissance Painter, active ca.1450-1475
Julian Scott
American, 1846-1901 ,was born in Johnson, Vermont and was a Union Army drummer during the American Civil War who received America highest military decoration the Medal of Honor for his actions at the Battle of Lee Mills, he was also an American painter and a Civil War artist. Scott received his youthful education at the Lamoille Academy, known today as Johnson State College where the main gallery is named in his memory. Scott continued his studies graduating from the National Academy of Design in New York and subsequently studied under Emmanuel Leutze until 1868. During the Civil War, Scott enlisted in the 3rd Vermont Infantry on June 1, 1861, at the age of 15 as a fifer and in February 1865, was awarded the Medal of Honor for rescuing wounded under enemy fire during the Battle at Lee Mills, Virginia. When the war was over he traveled to Paris and Stuttgart to continue his education. Scott 1872 masterwork, the Battle of Cedar Creek, is located at the Vermont State House. The painting illustrates the contributions of his home state of Vermont in the American Civil War In 1890, and is significant for its absence of glorification of war and instead shows the suffering and human sacrifice associated with war making. Scott traveled west as part of a census party, painting Native Americans in New Mexico, Arizona and Oklahoma. Many of his works from this expedition now hang in the University of Pennsylvania Museum of Art. Scott was interred in Hillside Cemetery located in Scotch Plains, New Jersey
BATONI, Pompeo
Italian Rococo Era Painter, 1708-1787 He was born in Lucca, the son of a goldsmith, Paolino Batoni. He moved to Rome in 1727, and apprenticed with Agostino Masucci, Sebastiano Conca and/or Francesco Imperiale (1679-1740). By the early 1740s, however, he started to receive independent commissions. In 1741, he was inducted into the Accademia di San Luca. His celebrated painting, The Ecstasy of Saint Catherine of Siena (1743) illustrates his academic refinement of the late-Baroque style. Another masterpiece, his Fall of Simon Magus was painted initially for the St Peter's Basilica. Batoni became a highly-fashionable painter in Rome, particularly after his rival, the proto-neoclassicist Anton Raphael Mengs, departed for Spain in 1761. Batoni befriended Winckelmann and, like him, aimed in his painting to the restrained classicism of painters from earlier centuries, such as Raphael and Poussin, rather than to the work of the Venetian artists then in vogue. He was greatly in demand for portraits, particularly by the British traveling through Rome , who took pleasure in commissioning standing portraits set in the milieu of antiquities, ruins, and works of art. There are records of over 200 portraits by Batoni of visiting British patrons . Such "Grand Tour" portraits by Batoni came to proliferate in the British private collections, thus ensuring the genre's popularity in the United Kingdom, where Sir Joshua Reynolds would become its leading practitioner. In 1760, the painter Benjamin West, while visiting Rome would complain that Italian artists "talked of nothing, looked at nothing but the works of Pompeo Batoni". In 1769, the double portrait of Joseph II and Leopold II won an Austrian nobility for Batoni. He also portrayed Pope Pius VI. According to a rumor, he bequeathed his palette and brushes to Jacques-Louis David.